The Eleventh Doctor strips debuted in Doctor Who Magazine in issue 421.
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Supernature Writer: Jonathan Morris Pencils: Mike Collins Inks: David A. Roach Colours: James Offredi Lettering: Roger Langridge |
Issues 421-423 11th Doctor and Amy |
Nerena Cargill, chief medical officer of The Van Diemens III sends a biohazard warning from her colony planet urging that everyone keep away. She plays a film showing a room full of corpses. She says she is the sole survivor and that anyone who lands on the planet is condemned to death.
Elsewhere, the Doctor and Amy step from the TARDIS into a jungle teeming with life. He tells her that he is ninety-nine percent sure that wherever they are it isn't Basingstoke. Almost immediately they are confronted by a large robot spider that tells them to put up their hands and scans them for concealed weapons. When Amy asks if they are trespassing it answers in the negative, saying that arrivals are tolerated but departures are prohibited. It leads them to an encampment where they are tagged with security anklets. They learn that everyone in the encampment is a convict.
When Amy uses the word 'Doctor' one of the convicts leads them to Cargill. She is overjoyed to see them and hugs the Doctor. She says she has been begging the Empire for emergency medical assistance for weeks, and asks how they arrived and where they landed. Amy and the Doctor say that they didn't land and imply that they crashed. The Doctor says he and 'Nurse Pond' have been wandering for days.
Their conversation is interrupted by the arrival of a transporter craft full of convicts. Cargill explains that since the Nigella IV massacre the Empire has been using convicts as guinea pigs on alien worlds before they are cityformed. The transporters only have enough fuel for a one way trip.
As they watch the convicts disembark a fight breaks out between two of them but a robot spider stuns both of them. Cargill explains that she is the nearest thing to a doctor they have, though she also says she deserves to be there more than most. She then leads the Doctor to a sealed ward containing 'plague victims'. They enter the ward in biohazard suits so the Doctor can make an examination. Each patient is horribly mutated into one of a multitude of different shapes, some resembling humanoid insects, others plants or animals. There seems to be no pattern to the disease.
Their diagnosis is cut short when a monstrous creature bursts into the compound. The spiders (or 'snoops') seem content to let it run amok but the convicts try to corner and kill it. The Doctor intervenes to let the creature escape into a storage room. The Doctor leads Amy into the room and points out the security tag around its lower leg. The monster was once human. Before they can speak to the creature a party of convicts led by Conrad Finch enter, intent on murder. Finch accuses the Doctor of being behind the infection somehow.
Just then they notice that Amy is transforming into a giant insect.
Cargill persuades Finch not to kill the Doctor so that he can use his expertise to help the colony. The Doctor uses Cargill's laboratory to investigate the security tag from the captured monster. It tells him that it belonged to a man called Buchan Foster. Cargill thinks this makes sense as Foster made several trips into the jungle to explore and claimed he had discovered a dark secret. He disappeared while was on a survey mission a month ago, just when the transformations started happening.
The Doctor says that the transformations are not due to a virus but are the amalgamations of two distinct life forms to become an entirely new species. As he and Cargill step out into the jungle he says the whole eco-system has become a pick and mix of life forms. Cargill asks if that means the life in the jungle is taking humanoid shape. Even as she speaks they are pursued by a plant with human eyes and sharp teeth. They are saved by a blast from a snoop which halts the monster and together they run back into the compound.
The Doctor orders the convicts to stay in the centre of the compound while he modifies the snoops to set up an energy ring around them, keeping at bay even more marauding monsters. He tells Cargill to look after the worsening Amy while he goes out to investigate Foster's secret. Finch accompanies him and they fly a snoop over the energy barrier and across the jungle to a cave behind a waterfall.
Back in the sick bay Amy is telling Cargill that she is saddened that she will die without her family knowing what happened to her. Cargill says her own family was wiped out by a drunk driver. They are interrupted by a monster breaking through the energy barrier and crashing through the sick bay wall.
The Doctor finds an underground chamber with an ancient machine at its centre. Before he can investigate he, too, begins to transform into an insect.
The monster pushes Cargill aside and then carries off Amy. She is now fully transformed into a giant butterfly woman and as she takes flight the other monsters turn and leave.
The Doctor tells Finch that the machine is a gene splicer left by an alien race. Because the planet is in the wrong orbit for life to thrive, the aliens accelerated the process. When Finch asks where the aliens are the Doctor shows him the jungle. He adds that Foster must have reactivated the machine, causing the new transformations. The Doctor begins to play the keys of the machine like an organ or piano, saying he is resetting the biology. The effect is almost instantaneous. Foster, back in the compound, becomes human again.
Finch punches the Doctor to the ground and pulls out a home-made gun. He says he was innocent of his crime, framed by his boss who embezzled money. This machine is his ticket to freedom once he tells the Empire about it. The Doctor says he is impressed by the gun but pulls out his screwdriver and uses a sonic blast to make it fall apart. As Finch picks up a club he is bowled over by the butterfly Amy riding a snoop. She says she followed the Doctor's scent to the cave.
The Doctor redirects the machine's power on itself to prevent it being used again. As a result the roof of the cavern collapses. The Doctor and Amy fly out on the snoop with Finch tied beneath. They land safely. The Doctor surveys the buried cave with satisfaction before turning to find Amy, completely naked, transformed back to human again.
They return to the compound where all of the humans are transformed back to themselves again. The Doctor deactivates the snoops and tells Cargill it is up to the convicts to make a success of the colony. She says that the empire will send their traction factories and concrete over the planet but the Doctor advises her to send a message saying that the virus has wiped out the colony. (This is the message that started this story). He tells them to rename the planet, too and suggests 'Basingstoke'. As they make their way back to the TARDIS Amy realises that this was the planet the Doctor had intended to visit all along.
Time Placement: This story must come after The Time of Angels / Flesh and Stone because in that story Amy is excited that they have landed on a planet together for the first time..
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Planet Bollywood Writer: Jonathan Morriss Art: Roger Langridge Colours: James Offredi |
Issue 424 11th Doctor and Amy |
In a space battle between two fleets of ships a ship containing a crew of blue elephantine aliens is hit. It spirals uncontrollably towards a nearby planet but the crew members begin to sing and dance, almost celebrating their impending doom.
The ship plunges to the ground and crashes into a grassy field. Sometime later the TARDIS materialises near to the wreckage. The Doctor and Amy examine the ship and decide that there can have been no survivors. The Doctor says that the planet is Earth-like but at the other end of the galaxy. Amy and he begin to sing a duet about the wonders of exploring a new world. At the end of the song Amy asks why they just did that. The Doctor points to a ship coming into the sky above them and says that it might have something to do with it.
The ship lands and some squat, ugly and heavily armed lizard-aliens emerge. Amy runs away but the Doctor is captured. He uses his psychic paper to tell the aliens, the Shasarak of Baloch, that he is an accident investigator. One of the crew tells their leader that there is no sign of life in the crashed ship and the cargo is missing.
Amy escapes to a human peasant village and asks for help but the peasants start to serenade her. At the end of her song a young man, Rajiv, introduces himself. Amy tells him that there are monsters near the crashed space ship. He calls it the fallen star and says he rescued a goddess from it a few days earlier. He shows her a blue woman, part of whose face and shoulder have been damaged to reveal circuitry. She says she is a muse.
The Shasarak tell the Doctor they are looking for a muse. They break into a song saying that they will not rest until their mission is done. While they are thus distracted the Doctor makes his escape.
The muse tells Amy she is an amusement created for the Maharani of Baloch, used to induce courtiers to perform musical numbers against their will. When the Shasarak realised the powers of the muse could be used for evil they attacked the palace in order to steal it. The maharani's servants smuggled the muse away which is how she has ended up on the planet. To Amy's delight, the Doctor arrives and begins to poke around inside the muse. He says that the damage to her systems means that people keep breaking into song at inopportune moments. He says she should be able to self repair given a suitable energy source.
The Shasarak arrive at the village. The peasants break into a song of welcome, leading the lizard-men to assume the muse is nearby. They break into Rajiv's house but only find the Doctor. Meanwhile, Amy and Rajiv have taken the muse to the Shasarak ship. Rajiv knocks out the sentry and the muse uses the power supply in the ship to recalibrate.
Just as the Shasarak prepare to kill the Doctor for deceiving them they break into song. The muse has returned. The Shasarak dance and sing for three hours, time enough for the Doctor to contact the Maharani and arrange for the muse to be picked up. Rajiv asks if the muse can stay with him as they are now in love. The Doctor says that he is not the one to ask and that there is no need to make a song and dance about thanking him.
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The Golden Ones Writer: Jonathan Morris Pencils: Martin Geraghty Inks: David A. Roach Colours: James Offredi Lettering: Roger Langridge |
Issues 425-428 11th Doctor and Amy |
Tokyo. Mr Okada enters the office of Mr Kin at the top of the Shining Dawn skyscraper. Seeing a little girl reading a comic book, Okada asks if it is Kin's granddaughter. He is told it is not. The child is Chiyoko and she is Kin's marketing consultant on the Goruda project. Okada asks if his company's offer to launch Goruda in Europe has been considered. Kin replies that he has investigated Okada's company and found it to be a fabrication; Okada is actually a UNIT agent. Kin says that the Shining Dawn Corporation does not tolerate spies. Suddenly the air is filled with a golden light and Okada is thrown back through the window and plunges to his death on the streets far below.
The Doctor and Amy sit in at a UNIT meeting two days later where Okada's death is discussed. The Doctor says they were right to get Martha to call him. The Doctor asks Major Hiraki to fill him in on the Shining Dawn and Goruda. She tells them to see for themselves.
The Doctor and Amy pay a visit to a typical Japanese family, claiming to be making a documentary on Japanese families. They meet a little boy, Kaito, who was always in trouble until he started watching the Goruda cartoon on television. Now he is well-behaved and loves reading. The Doctor asks Kaito if he knows the name of Mozart's pet cat.
After visiting several more homes Amy and the Doctor report back. Hiraki tells them that UNIT became suspicious when the Goruda carton was used to promote a brand of homeopathic brain tonic which actually seemed to work. Hiraki thinks it is nonsense until the Doctor points out that Kaito didn't know the name of Mozart's cat but once the Doctor told him it was 'Fluffy' that was the name all the other children gave. This is odd because none of the children had been in touch with each other and because Mozart hated cats. The Doctor says that the children aren't being made intelligent, they are being made telepathic. As he says this, a thought nearby recognises the Doctor and says he must be destroyed.
The Doctor tastes the tonic and agrees it is pure water. He says he must take it back to the TARDIS for testing. Sergeant Machi offers them a lift but the Doctor declines because the traffic is so bad. As he and Amy head down to the underground railway the Doctor notices they are being followed. It is Sergeant Machi and he produces a gun and starts shooting. They flee onto the train but Machi catches up with them. He follows the Doctor out of the train window onto the roof. An old lady pulls the emergency brakes. The Doctor clings on but Machi hits the track, dissolving into a hissing molten golden heap.
Mr Kin is told, telepathically, that plans need to be brought forward and conversion begun.
The Doctor leaves Amy with Major Hiraki for reasons of safety. She goes to Hiraki's home. They see Hiraki's daughter Takara has a bottle of brain tonic but Takara insists that she hasn't been drinking it. The Doctor phones to say that he is in the TARDIS and his tests show that the tonic has a chameleon molecule that shows up as water in most tests. Not only that but it becomes more powerful the more it is diluted. Across Tokyo, the Goruda cartoon character tells the children to put their hands on the television screen, which they do - including Takara. The Doctor tells Amy that the molecule can absorb energy and change living tissue. He warns her not to let anyone drink the tonic.
Across the city the children turn golden and some shoot energy rays from their hands at their parents. The Doctor realises that the tonic increases the number of links between the neurons and those links are called Axons. As he realises this the Axon converts march destructively across the city leaving a trail of corpses in their wake.
JNN news broadcasts a warning that thousands of children have taken to the streets in a hypnotic trance. People are told not to approach them. The Doctor desperately tries to phone Amy from the TARDIS. He peers out of the door at the children, realising that the Axonite in their bodies has been activated. They are using electrical energy to change form while being telepathically controlled by Axos. The children continue to kill anyone who stands in their way. A UNIT-led group of riot police form a roadblock. The Doctor leaps onto a car roof and tells Captain Yoshida not to shoot because the targets are children and virtually indestructible which his men are not. This is illustrated when one child shoots a blue energy bolt from its hand which turns one policeman to dust. He says the men are best used in keeping the people out of harm's way.
Amy and Major Hiraki run up. Hiraki is distraught that her daughter is transformed, too. She asks if she has lost her but the Doctor promises to do everything he can to get her back.
A giant video screen showing the Goruda cartoon character warns the people of Tokyo not to resist if they do not wish to come to any harm. The Doctor tells Amy it is Axos, an alien parasite that consumes planets by preying on the gullible and greedy.
Back at UNIT headquarters, Yoshida estimates that fifty to seventy thousand have been affected. They are securing such places as military bases, police stations, the power plant and the city hall. Thousands are also on their way to UNIT HQ. The Doctor improvises a hat from a jumble of wires and other bits of equipment that he says should allow him to tune in to the psychic wavelength that Axos is using so that he can jam it. Before he can plug it in the power in the HQ goes off. The children are in the foyer, absorbing the power and killing the guards. Hiraki orders all survivors onto the roof.
A helicopter arrives to take them to safety but before it can land it is shot down by a missile from a second helicopter and fall, blazing, down the side of the building. The Doctor fires a grappling hook through the window of a nearby building and the soldiers and Amy use it as a zip wire to slide to safety. The Doctor, last to go, escapes as the children reach the roof.
With a power supply at his disposal, the Doctor prepares to plug in his psychic hat. Amy and Hiraki mutate into multi-tendrilled Axon replicants. The Amy replicant lashes out at the psychic hat but Yoshida wrestles the Doctor to safety as his men open fire from close range but with little effect. The Doctor says that the replicants were not active before because Axos could be occupied with controlling the children. He says the replicants are drones who only maintain their shape due to the link with Axos. When he puts on the helmet the drones disintegrate.
Immediately, a television screen shows Goruda and then reveals Axos as a well dressed businessman, Mr Kin. The Doctor asks him how he escaped the time-loop but Axos refuses to respond. The Doctor says that using children to murder their own parents means that no mercy will be shown this time. Axos shows him Amy and Hiraki and says that if the doctor continues to interfere then his friends will die. The Doctor uses his psychic hat to break the link to the children but Axos warns him that without the link all the children will die. The Doctor thinks that this is a bluff but Axos says that the Doctor's inability to take an innocent life is the reason why the Axons will win.
Yoshida asks the Doctor what he can do if he can't switch the link off. He realises that with the children recovering consciousness all over the city it means he can break the link for a minute or so without any ill effects to the children. He calls the City Hall, tells them to barricade themselves in and wait for him. Amy and Hiraki are led to a lower level and chained up with Sergeant Machi. He says that he has been locked up for days. The Doctor and Yoshida sprint through the Axon children, dodging their energy beams, and leap into a car. Yoshida drives, weaving past the children who fall asleep under the influence of the psychic hat.
They park outside City Hall and race up to the Mayor's office. The Doctor tells the mayor to do whatever he says (and not to do anything he doesn't say). As the Doctor and Yoshida search for blueprints of the Shining Dawn tower to see where the Axon space ship might be, the mayor is called by Mr Kin.
Chiyoko, the girl who we saw at the start of the story in Mr Kin's office, releases Amy and the two UNIT officers. She tells them that she is their friend, not working for Kin, and that she has 'other priorities'. She says it is vital that Amy does not come to any harm. When Axos is distracted by its nutrition cycle, she says, they shall be able to escape. As they make their way through a service corridor she tells them that Axos is planning to take over the Earth.
As Amy and her friends run through the building they feel it change into a golden creature around them. The Doctor tells the mayor that the building wasn't built on top of Axos; it is Axos. It now has enough power to devour the planet.
As they escape from the building, Machi is killed by the children but Amy and Hiraki run away. A helicopter hovers above them and the Doctor lowers a ladder. Hiraki and Amy (just) manage to escape up the ladder as the huge Axon's tentacles try to kill them. The Doctor takes the controls and flies them above the Electric Power Company. The lights are on, showing that there is still power. They land on the roof where the Doctor asks Hiraki and her men to hold back the enemy. Inside the building, the Doctor puts on his psychic 'hat' and speaks to the possessed children. He tells them to fight back against Axos. They create a giant figure of Goruda to battle the Axon creature. The Axon is stronger but the battle between the two colossal creatures is merely a distraction.
Other, smaller Axons are fighting and killing the UNIT soldiers defending the perimeter. The Doctor goes to the control room of the power plant and assumes control he reverses the polarity of the electron flow so that the power will be drained from Axos. Then he hacks into the media channels and tells the people of Tokyo to turn on every electric appliance they own. Outside, Yoshida is killed by Axons.
The massive demand starts to drain power from the Axons and they begin to melt. They are too far into their feeding cycle to disconnect and as the city lights up the Axon cell structure disintegrates. 'Mr Kin', now barely more than a puddle, tells Chiyoko that she promises the Axons the Earth. She replies that she lied but the Axons' sacrifice will allow a greater life to come into being.
One day later, Hiraki tells Amy that the children have woken with no memory of what they did. She has sent Takara away to her father while the cleaning up process begins.
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The Professor, the Queen and the Bookshop Writer: Jonathan Morris Art: Rob Davis Colours: Geraint Ford Lettering: Roger Langridge |
Issue 429 11th Doctor and Amy |
Two children, Amelia and Rory, run through the snowy streets of Second World War London. They are being evacuated because of the air-raids but Amelia has left her aunt at the station while she goes in search of a book to read on the train. Rory hastens after her because she needs a boy to keep her out of trouble though Amelia denies this. She finds a shop - Phoenix Books - which is much larger on the inside. She shouts up to a young man on some ladders, causing him to tumble to the floor. He tells her that it both is and isn't a bookshop and that children are forbidden. Amelia picks up a large tome and starts to read which causes the door to slam and the shop to shake. The man demands to know which book she looked into but Amelia pretends to have lost it even though she is hiding it behind her back. The man tells Rory that they aren't in London anymore; the shop travels into the pages of any book that has been written so they could be anywhere. He rushes out to investigate and the three of them find themselves outside in a dark forest.
The whole world is dead as though something terrible has happened. The man tells them that his name is "Professor". As they step into a deserted town he recognises that they are in the one place that he never wanted to visit - The Desolation of the White Queen. The trees seem to be made of tortured human shapes and there is a statue in a square at the heart of the town with its hands concealing its face. He tells them to run back to the shop. Every time they turn round the statue seems to be closer but they never actually see it move.
They reach the shop just in time and the Doctor takes another book off the shelves to find a place where the statue will never find them. As the shop spins through a vortex the statue holds onto a lamp-post outside and then flies away, laughing maniacally.
The Professor tells Amelia they have landed in a golden world of fields and shining seas but when they step out they are in a snowy land where the tree in front of them contains the shape of a faun. The Professor says that he must have brought the White Queen with them and she has arrived first. They are surrounded by anthropomorphic animals (pig-man, humanoid rhinoceros and the like), all heavily armed. A wolf man tells them that the White Queen materialised many years earlier and made it winter but never Christmas. She transformed all who opposed her into trees. The Professor offers to fight her and the creatures say that would be good but they have been sent to take the travellers prisoner. She is waiting for them in the Tower of Darkness.
When the Professor and his companions are brought before the Queen he gives her a first and fiunal warning. Amelia also calls her evil and cruel. The Queen flings a bolt of green energy at the girl but the Professor leaps in the way and is killed. As the Queen turns to kill Rory, Amelia produces the book she first opened in the shop and opens it. The Queen is sucked back into her own story. Amelia wonders if a book can bring people back too. She picks up a quill and writes that the Professor was not dead. Instantly, he is revived.
The creatures offer their thanks to 'Princess Amelia' and the travellers return to the shop through a green and pleasant landscape. The Professor takes them home but he tells Amelia that if she keeps on making up stories about him he will carry on having adventures. When the children leave the shop they find Amelia's aunt waiting and she tells them they have barely been gone two minutes. Amelia is carrying a book: The Professor, the Queen and the Bookshop.
It transpires that this narrative was all being read from a manuscript by C.S. Lewis to his friend J.R.R. Tolkien at a meeting of the Inklings club in The Eagle and Child pub. Tolkien criticizes the story for being derivative and allegorical but Lewis turns to the two newest members of the club for their opinions. They are the Doctor and Amy - who loved it - but the Doctor suggests that the story might work better with a wardrobe. Outside on the pavement, snow falls onto the TARDIS.
Notes:
- This curious and endearing story implies that the Doctor and Amy visited Lewis and Tolkien on at least one occasion and were partly responsible for the final form of The Lion, the Witch and the Wardrobe.
- The final dedication points out that Lewis died on 22nd November 1963, the night before the first episode of Doctor Who aired.
- While much of the strip derives from the Narnia books it also references many ideas in the Doctor who canon:
- the bookshop is a surrogate TARDIS (and travels with a 'VWORP! VWORP!' effect);
- the Doctor is called 'Professor" much as the Seventh Doctor was by Ace (and in the BBV Time Travellers series);
- the Doctor and two young children travelling together is reminiscent of the TV Comic strips of the 1960s;
- books on the shelves of the shop contain a number of Who-like titles (Master of Luxor, Space Whale, Sirens of. ) and there seems to be a toy Dalek on a shelf;
- the book Amelia opens to start the adventure is called 'Shad.';
- the arrival on a distant planet containing a petrified forest and a strange city is similar to The Daleks;
- The White Queen acts a lot like a Weeping Angel and her army includes a lot of Who-style beasts (Judoon etc.)
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The Screams of Death Writer: Jonathan Morris Art: Dan McDaid Colours: James Offredi Lettering: Roger Langridge |
Issues 430-431 11th Doctor and Amy |
Paris 1858. A young woman, Cosette, finds the house of Monsieur Valdemar. She asks him to help her sing better so that she can fulfill her ambition to be an opera singer. When she sings for him she is hideously out of tune but he tells her that he can help. He tells her to look into his eyes which begin to glow demonically.
Several months later, the Doctor, in top hat and evening dress, and Amy, also dressed for the period, pay a visit to the opera house to watch a performance of Orphée. They are astonished by the amazing performance by Cosette but the Doctor recognises by her reduced blink rate that she is in a hypnotic trance. He takes Amy to the stage door but Valdemar rushes Cosette through the waiting fans and into a carriage. A young man calls after Cosette but to no avail.
The Doctor guesses that the young man is Cosette's boyfriend and Amy invites him to a café. There, the young man explains that he and Cosette were engaged until she went to Valdemar. He hadn't expected much to come of Cosette's ambitions because she was such a poor singer. However, she spent more and more time with Valdemar until one night she never came home.
His story is interrupted by a scream from outside. Everyone rushes to the alley across from the café where a man lies dead. The Doctor sees blood around the man's ears. He surmises that the poor man only had a couple of days to live anyway. Amy wonders why anyone would bother to murder him. She also says that the scream they heard was a young woman's.
The Doctor takes the young man and Amy to Valdemar's house where they gain entry via a skylight in the roof. In one of the rooms they discover a series of chambers wreathed in a green gas. Each contains a young woman, the girls from the opera, wearing gas masks. The Doctor looks at the machinery in the room and recognises a DNA sampler. Just then, Valdemar enters and removes the masks from the girls. The three intruders hide in the shadows. He gives each a target and tells them to collect genetic samples. He then says that when he has selected his victims the girls shall sing them to their deaths. The girls then levitate and fly out from his house. One of them knocks on a bedroom window across the town and when the owner opens the curtains she crashes through the window, exhaling green gas.
Meanwhile, Valdemar tells the three intruders to come out from their hiding places. The Doctor asks how the girls managed to levitate but Valdemar insists that it is beyond the Doctor's comprehension. He releases Cosette from her chamber and tells her to sing to them all. Cosette emits an ear-shattering scream.
Salzburg 2098. Eldritch Valdemar is found guilty, as leader of the Eugenic Cult, of murder, treason, mental domination and genetic manipulation. He points at four men in the courtroom, accusing them of treachery. The robotic judge says that the four have bought their freedom with their testimony and Valdemar is sentenced to death. Before the sentence is carried out he swears to have his revenge and then Valdemar is hit with a blast of energy.
Back in Paris, 240 years earlier, the Doctor is chained to a wall with Amy and Louis (Cosette's boyfriend). Valdemar instructs Cosette to take a sample from each, which she does by kissing them deeply. Louis can see the paper bearing the names of all Valdemar's victims: the same four surnames repeated over and over again. The Doctor guesses that the targets are actually the victims' descendants who he wants to prevent existing. He has to make sure that none of the victims of his plan are his own ancestors too, hence the DNA samples.
Valdemar speculates that the Doctor, like him, is also from the future. He says that he got there when his death by molecular dispersion resulted in him being miraculously transported through time. The Doctor sees that someone is behind all this but it isn't clear who.
Valdemar goes off to check the samples and Amy uses a bent hairpin to free herself from her manacles. She releases the other two and they make their way to Valdemar just as he discovers that neither the Doctor nor Amy is his ancestor. He orders Cosette to kill them. Louis surmises that, as he is being spared, he must be Valdemar's grandfather. He snatches a flask and threatens to drink it, poisoning himself, unless Cosette is returned to him. Valdemar refuses and is swept into the air by his 'daughters of the night' to commit the slaughter. Louis manages to grab Cosette and drag her to the ground. The Doctor asks the girl to take him in pursuit of Valdemar.
They fly through the night. Valdemar leads them to the roof of Notre Dame Cathedral for a showdown. The Doctor uses his sonic screwdriver to ring the cathedral bells which looses the hold he has over the girls. They turn on him and he plunges from the roof.
Later, after satisfying himself that Cosette can no longer sing and is back to normal, the Doctor and Amy return to the TARDIS accompanied by Louis and Cosette. They enter the alleyway together and as Louis thanks them Cosette examines the TARDIS. The Doctor and Amy step inside and the TARDIS dematerializes. It is only then that Louis realises Cosette is not with him. He does not see that he is being watched from the shadows by a little girl in a sailor suit.
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Do Not Go Gentle Into That Good Night Writer: Jonathan Morris Art: David Roach Colours: James Offredi Lettering: Roger Langridge |
Issue 432 11th Doctor and Amy |
At the Hawkshaw Manor nursing home, 2011, an old man (Arthur) is disturbed by a small boy with no face who comes into his room to watch him.
In the morning, Amy Pond (in nurse's outfit) brings him a cup of tea. She comments on how loud the children are as they play in the garden but Arthur says he likes to hear the laughter. He adds that he never had any children of his own and when his wife died in 1988 he had no relatives left. Sister Frost arrives and orders Amy to stop chatting and get on with her other duties. She tells Amy that another resident has died in the night but when Amy enters the room the body has already gone. This strikes Amy as surprisingly quick. Amy picks up a photograph of the dead woman, Margaret, as a child. When she turns around the young Margaret is behind her.
The Doctor, meanwhile, is talking to Miss Bruce who is in charge of the nursing home. He asks her about bodies disappearing in the middle of the night but then interrupts her reply to tell her that she is about to say she doesn't know what he is talking about. He says that she has been arranging for the undertakers to bury empty coffins and that he knows that this is true because he was there when they were dug up by archaeologists eight hundred years in the future. He also accuses her of only admitting people with no friends or relatives. He suggests that she isn't behind the disappearances and then asks her how long the home has been allowing children to play in the gardens. Miss Bruce calls him insane, saying that there are no children even though a group can clearly be seen through the window behind her.
Amy tries to engage the young Margaret in conversation but Sister Frost drags her away to the laundry closet at the other end of the building despite the fact that they are standing beside a room clearly marked 'Laundry Closet'.
That evening, as the sun sets, the Doctor takes Arthur out to the TARDIS. Arthur tells him that his friend, Bert, saw the boy with no face the night before he died. He expects to die soon. The Doctor changes the subject to the children. Arthur says that they have only appeared recently and don't like to get too close to the building. They also notice that the children's clothes and games seem rather old-fashioned. When the Doctor approaches them the children says they cannot tell anyone where they came from or the grownups will put a stop to their games. Margaret tells Arthur not to worry because he will be joining them soon.
Amy rushes up to tell the Doctor that there is a girl running around the home but the staff can't see her. He replies that a perception filter is at work and is probably shielding an alien hiding place. Amy remembers the laundry closet that was invisible to Sister Frost. They head straight there.
Arthur seems to be suffering chest pains but insists that he hasn't had so much fun in years. The Doctor says the perception filter is set to local fauna so he and Amy aren't affected. The laundry closet is revealed as a huge, high-tech alien nest. Nurst frost is within, as are a number of blank children. Frost's head opens up to reveal an insectoid robot which accuses them of being a threat to the surrogates. As weapons open fire Arthur dies of a heart attack but a boy with no face steps forward and surrounds the body with energy. The corpse vanishes and the boy grows a face. He turns to the robot and demands it to stop, adding that the Doctor and Amy are his friends. The robot immediately designates them as non-hostile and ceases fire. Amy turns to the new Arthur who is confused as to why he is suddenly so short.
The Doctor demands an explanation from the robot. It says it is a Vorlax regeneration drone that provides replacement bodies for dead infantry and places their consciousness within at the moment of death. It was hit by enemy fire, causing a teleport malfunction, and arrived on Earth where it activated its camouflage. The Doctor repairs the teleport device and sets it on a countdown for departure to an uninhabited garden world. Amy says that it was actually doing a good thing, giving people a second chance for life. She asks what will happen to the kids and if the other residents don't deserve the same chance. They take the children to the residents' sitting room and ask them if they would like to be made young on a planet millions of miles away. He tells them they have to make up their minds immediately.
The next days' news reports that all of the residents of Hawkshaw nursing home have disappeared simultaneously but the reason is that they have all emigrated to New Zealand after winning the lottery.
Amy and the Doctor (along with 'Nurse Frost') watch the children play in a garden paradise, diving from a waterfall and riding a friendly dinosaur.
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Forever Dreaming Writer: Jonathan Morris Art: Adrian Salmon Lettering: Roger Langridge |
Issues 433-434 11th Doctor and Amy |
The Doctor offers Amy an ice cream cone. The TARDIS has materialised on a beach that resembles a typical seaside resort in Britain, apparently in the late 1960s. It is a hot summer day and the Doctor is concerned that it is almost too stereotypical. Unbeknown to the travellers, they are being watched, probably from within a giant purple octopus above the pier entrance. Amy has a vivid memory of visiting this place before with her auntie and running to a toy shop with a model TARDIS displayed in the window. Her auntie pulled her away and little Amelia lost her red balloon. It dawns on Amy that she was born in 1989 and couldn't have been there in the 1960s. The watchers deem that her mind is too powerful and she cannot be allowed to leave. She explains her doubts to the Doctor but he breaks in to tell her that she is feeling déjà vu with someone else's memories. He starts to run down onto the beach, telling her that they have to get away because they are in a trap. Before he finishes his sentence he is turned into a life-size sand sculpture that disintegrates before Amy can reach it.
A long-haired young man (sitting in the lotus position, with a dove perched on his hand and wearing hippy clothes) floats before Amy. He calls her Amelia, the girl of his dreams. Speaking in trippy rhymes he tells her she has all the tomorrows in the world and that once she has fallen down the kaleidoscope there is no way out of the dream. She asks if he is trapped and he replies that only she can save everybody for the Doctor has closed his eyes on the Octopus ride. The young man vanishes with a warning: 'Beware of the dark.'
The weather changes abruptly: it is cold, grey and rainy. The people on the promenade are now only stuffed dummies. Suddenly, Amy is confronted by five dark figures. They are wearing business suits and bowler hats and each carries a rolled umbrella. Their faces are set in manic grins and each is wearing psychedelic spectacles. Amy runs away from them onto the pier. She is watched by five figures in a candle-lit room. One of them is the young hippy and another is the Doctor. They want to help her but know they can only watch. One warns that if the dark consumes her she will cease to exist. Amy reaches the end of the pier as the five shadow men close in on her. They tell her that the more scared she feels, the stronger they will become. She replies that she is not frightened but one of them contradicts her, saying that everyone is afraid of the dark. Amy climbs over the railing and hangs above the stormy waves from which hands reach up as if to grab her.
As the shadows tell her that she must despair, Amy responds by thinking of ice cream. A cone appears in her hand and the happiness she feels causes the sun to break out and the beach to return to a summer's day. She climbs back onto the promenade as the shadows are dispersed by the sunlight.
Back in the room the men watching her realise she is stronger than any of them. The young hippy floats before Amy again and tells her that he used to be a musician in a rock band and that he used to visit Psychspace for his inspiration until it became harder for him to leave and he became stuck there with the other men: a painter, a poet, a mathematician and, now, the Doctor. Amy follows the musician into the room where she finds the Doctor comatose. She demands to know what these dreamers want from her. The musician tells her that when they lose hope the darkness grows more powerful and begins to consume Psychspace. Their only salvation is if Amy helps them to smash the glass and return them to reality. They ask her to sit down and dream.
Amy finds herself reverting to her childhood, watching an episode of Blue Peter on television. The Doctor is one of the presenters and he that she has to use her stubborn nature to transcend the metaphysical reality. Amy wakes up in the darkened room and tells the Doctor she can see something. He regains consciousness and asks what she can see. A large purple octopus is hanging from the ceiling above them. The Doctor recognises it as a psychic squid that has lured creative minds into its home dimension to feed on their psychic energy so that it can break into the real world and feed off human imagination. The squid/octopus wraps a tentacle around the Doctor and sends a shock of energy through him. The shadow men come down the stairs and then overpower the dreamers but they turn on the squid and use their combined power to cause it to explode. As the darkness closes in on them the Doctor urges Amy to imagine the TARDIS which she builds in her mind from jigsaw pieces. They run into the console room and shut the door.
The Doctor tells Amy that the dreamers created the darkness from their own guilt and despair but finally sacrificed themselves to save the world. Their reality included fear and guilt and in the end they had to accept that. On that thought the TARDIS dematerializes and the travellers go on their way.
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Apotheosis Writer: Jonathan Morris Art: Dan McDaid Colours: James Offredi Lettering: Roger Langridge |
Issues 435-437 11th Doctor and Amy |
The Doctor promises to take Amy to Wembley Stadium for the 2030 World Cup Final but they land in a big old space station instead. As they set out to explore they are seen by a giant robot that describes them as escaped specimens. It is just about to 'sterilise' them when it is destroyed by a party of six nuns carrying futuristic guns. The leader, Mother Ivana, has the Doctor and Amy scanned for impurity and says that abominations will not be suffered to live. Sister Bridget runs the scan and reports that they are untainted.
Ivana explains that they are the Sisters of Purity and their twofold mission is to investigate the structure which has been in Earth space for a year, emitting exotic particles, while also finding out what happened to a similar party that disappeared six months earlier. When Novice Konami tries to contact the transporter ship that brought them it does not respond. They decide to make their way through the corridors to the command hub.
On the way they pass a large device that the Doctor says is a primitive attempt at building a time engine. He says it is leaking and is the probable source of the exotic particles. They come to a sealed door and the nuns decide to blow it open with explosives. The Doctor suggests using his sonic screwdriver instead. As he does so they are attacked by a group of robots. One of the nuns is shot while the others return fire. The Doctor gets the door open and runs into the command hub where he uses the computer to over-ride the security protocols and put the robots on stand-by mode.
There are human skeletons on the floor. The nuns think that they are the station's crew but the Doctor sees a functioning teleport and says that the crew left long ago. The bones belong to the previous investigation team. Ivana wonders how this can be: the sisters only arrived six months earlier but the bones look hundreds of years old. The Doctor feels stubble growing on his chin and says that the temporal experiment that went wrong has caused time to accelerate. This is why Konami couldn't contact the ship - it is in a different time zone.
At the mention of Konami's name, the nuns turn to look at her and see that she has aged tremendously. The Doctor says that time is passing at different speeds in different parts of the station. A small purple lizard runs over Amy's foot. The Doctor looks closely at it, saying that it looks familiar. As it scuttles away, the Doctor and Amy give chase, followed by the nuns. The corridor they run down has blossomed into a jungle and the lizard has already died of old age.
The Doctor tells the nuns that their only hope is to get to his ship. As they follow him through the jungle the plants turn blue and the TARDIS, when they reach it, has creepers and vines growing from it as well as screaming human figures bursting from its outer shell.
The Doctor says that the TARDIS is caught in an accelerated time field. Amy recognises the faces on its shell as Cosette (DWM 430-431) and Margaret (DWM 432). The Doctor also recognises the Shasarak (DWM 424). The figures coalesce into a giant ogre/TARDIs. The nuns open fire but the monster flings energy balls at them and catches hold of Konami, absorbing her into itself. Only the Reverend mother, Sophia and Bridget survive the assault as the monster races away, leaving the TARDIS behind. The Doctor and Amy enter the TARDIs while he berates himself for failing to recognise the jungle as that from the planet Basingstoke (DWM 421-423). He says the TARDIS has been infected and absorbed life forms wherever they have gone. The temporal acceleration has allowed the tissue to evolve into autonomous life which has now been expelled, resulting in a half human, half monster, and half TARDIS hybrid.
The nuns corner this monster but as they open fire it 'vwarp-vwarps' away. They decide to destroy the time engine that they passed earlier as an insurance against time disruption.
The Doctor tells Amy to stay in the TARDIS because the chances of premature ageing are so high but she insists on accompanying him on his mission to the teleport where he intends to lure the creature and reconstitute its individual parts. He draws the creature to him with the sonic screwdriver and then locks it into the teleport. While he sets the machinery in motion the nuns return and take Amy at gunpoint. They demand to know what he can tell them about time technology but, instead, he says he knows that they have been fighting a war against androids that look human. He says he has worked this out because Sister Bridget has not aged visibly, unlike the others.
Revealed as a spy, Bridget kills Sophia but Ivana returns fire, shooting off Bridget's face to reveal the android beneath. The Doctor shuts the teleport chamber door. Amy points out that they are now trapped inside. Ivana use the time to tell them that humans have been fighting a thousand year war against Galatean robots: 'the heresy of metal'. As she does so, the robots in the chamber are reactivated by Bridget interfacing with the computer. Ivana destroys them with her last three sonic grenades. However, Bridget has an army of robots gathering outside ready to break in with laser torches.
The only means of escape is the teleport but that would mean stopping the creature's reconstitution (thereby killing it) and there are two hours before the process is finished. Amy tells the Doctor she doesn't feel well. As he looks at her she ages visibly in front of his eyes.
The Doctor has to support Amy so that she can stand up. He tells her that she must have walked into the accelerated time field. She asks him if he can make her young again. Ivana says that she is going to kill the creature in the teleport so that they can use that way as a means of escape. Amy angrily retorts that the creature is made of innocent people including Sister Konami. Ivana says that Konami will be a martyr to the cause. Amy lunges at her, saying that it is murder but before Ivana can shoot her the robots burst through the door. The Doctor drags Amy away while Ivana shows the robots a detonator switch in her hand. She has rigged the time machine at the heart of the space station with explosives: if the humans can't have it, neither will the robots.
The robots open fire on her. As she dies, Ivana says she is going to heaven while the others are condemned to hell. She clicks the detonator switch. As the time engine explodes the Doctor drags Amy towards it. He says that the accelerated time energy will kill them in seconds unless they get to the eye of the storm. They shelter beside the engine until the jungle around them has aged, died and withered away. They re-emerge to make their way back to the control room. On the way they are stopped by two robots who take them to Sister Bridget. She says that she has seen the light: they have been blessed by a divine incarnation.
A glowing blue girl emerges from the teleport. She is the little girl that the Doctor and Amy saw at the Shining Dawn (DWM 425-428). She says that Amy saved her and the Doctor made her. The Doctor says that it was an accident; she is the combination of several young women, a couple of monsters and the TARDIS. Bridget calls her the ultimate expression of being (flesh and machine combined). The girl responds by disintegrating all of the robots with a wave of her hand.
The Doctor offers to help her but she says that she doesn't need his help. She is Chiyoko, the daughter of a thousand generations. She can see both history and the future. The Doctor begs her to help Amy who has now aged into a decrepit old woman. Chiyoko declines, saying that they have had their time and would only try to stop her. She "Vworp"s away.
In a flash of inspiration, the Doctor carries Amy into the teleport and uses his screwdriver and Bridget's bio scanner to retrieve Amy's body patterns. He restores her to her youthful self. The space station begins to explode around them so they teleport back to the TATRDIs and dash inside. As the station detonates the Doctor sets the controls so that the TARDIS can follow Chiyoko through the vortex. He says that this is only the beginning of their adventure.
The Doctor says that the TARDIS is caught in an accelerated time field. Amy recognises the faces on its shell as Cosette (DWM 430-431) and Margaret (DWM 432). The Doctor also recognises the Shasarak (DWM 424). The figures coalesce into a giant ogre/TARDIs. The nuns open fire but the monster flings energy balls at them and catches hold of Konami, absorbing her into itself. Only the Reverend mother, Sophia and Bridget survive the assault as the monster races away, leaving the TARDIS behind. The Doctor and Amy enter the TARDIs while he berates himself for failing to recognise the jungle as that from the planet Basingstoke (DWM 421-423). He says the TARDIS has been infected and absorbed life forms wherever they have gone. The temporal acceleration has allowed the tissue to evolve into autonomous life which has now been expelled, resulting in a half human, half monster, and half TARDIS hybrid.
The nuns corner this monster but as they open fire it 'vwarp-vwarps' away. They decide to destroy the time engine that they passed earlier as an insurance against time disruption.
The Doctor tells Amy to stay in the TARDIS because the chances of premature ageing are so high but she insists on accompanying him on his mission to the teleport where he intends to lure the creature and reconstitute its individual parts. He draws the creature to him with the sonic screwdriver and then locks it into the teleport. While he sets the machinery in motion the nuns return and take Amy at gunpoint. They demand to know what he can tell them about time technology but, instead, he says he knows that they have been fighting a war against androids that look human. He says he has worked this out because Sister Bridget has not aged visibly, unlike the others.
Revealed as a spy, Bridget kills Sophia but Ivana returns fire, shooting off Bridget's face to reveal the android beneath. The Doctor shuts the teleport chamber door. Amy points out that they are now trapped inside. Ivana use the time to tell them that humans have been fighting a thousand year war against Galatean robots: 'the heresy of metal'. As she does so, the robots in the chamber are reactivated by Bridget interfacing with the computer. Ivana destroys them with her last three sonic grenades. However, Bridget has an army of robots gathering outside ready to break in with laser torches.
The only means of escape is the teleport but that would mean stopping the creature's reconstitution (thereby killing it) and there are two hours before the process is finished. Amy tells the Doctor she doesn't feel well. As he looks at her she ages visibly in front of his eyes.
The Doctor has to support Amy so that she can stand up. He tells her that she must have walked into the accelerated time field. She asks him if he can make her young again. Ivana says that she is going to kill the creature in the teleport so that they can use that way as a means of escape. Amy angrily retorts that the creature is made of innocent people including Sister Konami. Ivana says that Konami will be a martyr to the cause. Amy lunges at her, saying that it is murder but before Ivana can shoot her the robots burst through the door. The Doctor drags Amy away while Ivana shows the robots a detonator switch in her hand. She has rigged the time machine at the heart of the space station with explosives: if the humans can't have it, neither will the robots.
The robots open fire on her. As she dies, Ivana says she is going to heaven while the others are condemned to hell. She clicks the detonator switch. As the time engine explodes the Doctor drags Amy towards it. He says that the accelerated time energy will kill them in seconds unless they get to the eye of the storm. They shelter beside the engine until the jungle around them has aged, died and withered away. They re-emerge to make their way back to the control room. On the way they are stopped by two robots who take them to Sister Bridget. She says that she has seen the light: they have been blessed by a divine incarnation.
A glowing blue girl emerges from the teleport. She is the little girl that the Doctor and Amy saw at the Shining Dawn (DWM 425-428). She says that Amy saved her and the Doctor made her. The Doctor says that it was an accident; she is the combination of several young women, a couple of monsters and the TARDIS. Bridget calls her the ultimate expression of being (flesh and machine combined). The girl responds by disintegrating all of the robots with a wave of her hand.
The Doctor offers to help her but she says that she doesn't need his help. She is Chiyoko, the daughter of a thousand generations. She can see both history and the future. The Doctor begs her to help Amy who has now aged into a decrepit old woman. Chiyoko declines, saying that they have had their time and would only try to stop her. She "Vworp"s away.
In a flash of inspiration, the Doctor carries Amy into the teleport and uses his screwdriver and Bridget's bio scanner to retrieve Amy's body patterns. He restores her to her youthful self. The space station begins to explode around them so they teleport back to the TATRDIs and dash inside. As the station detonates the Doctor sets the controls so that the TARDIS can follow Chiyoko through the vortex. He says that this is only the beginning of their adventure.
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The Child of Time Writer: Jonathan Morris Pencil Art: Martin Gerathy Inks: David A. Roach Colours: James Offredi Lettering: Roger Langridge |
Issues 438-440 11th Doctor and Amy |
Chiyoko is flying through time and space, exulting in being alive. The Doctor gives pursuit in the TARDIS while Amy complains about his erratic driving. Amy asks where Chiyoko is going. The Doctor says that she has to travel up her time stream to make herself happen; at the moment she is only a possibility. They track her to the war-planet Grakktar in 4688 and see her diverting the Vorlax into the past so that it can create the clone of Margaret DWM 432) that is later absorbed by the TARDIS. In Salzburg, 2098, she rescues Eldritch Valdemar from his execution and sends him to nineteenth century Paris DWM 430-431). That way, Cosette is eventually eaten by the TARDIS. Next, she frees Axos from the time loop so that it can try to invade Earth.
The Doctor tells Amy that they cannot stop her without causing a paradox. They try to follow her to her next destination but the navigation systems 'go all wibbly' when they follow her time stream. They arrive in a devastated city. The Doctor gives Amy some pills to counter the effects of high levels of radiation while they explore. They stumble across the ruins of St Paul's Cathedral and realise that they are on Earth, albeit long after Amy's time.
A ship attacks them, firing energy beams. They try to get back to the TARDIS but a near miss buries the TARDIS under tons of rubble. Galatean robots close in on them but are disabled by an E-M burst from a party of human soldiers. Captain Kaido orders the incineration of the robots while she questions the Doctor. He tells her that they dropped in from one of the orbital stations. She isn't much interested but, once she has ascertained that they are organic she takes them to the crypt beneath St Pauls. Kaido takes them down in a lift. Riding with them is Sergeant Sokkuri. She was rescued by Kaido after her ship was shot down by Galateans.
They enter a chapel containing a massive statue of Chiyoko. Amy and the Doctor pretends that they are Chiyoko worshippers, too, while realising that she must have beaten them to Earth by several centuries. They continue on into the bunker control room. On a screen, the Galatean Prelature is contacting Earth. It offers the humans mercy in the name of Chiyoko. Commander Hachiman is furious that they name Chiyoko. The Galateans make an offer to the last humans: they can keep the planet as a reservation while the robots take the stars. Hachiman refuses, saying that humans would rather die than surrender.
Hachiman asks one of his men if the Ultimate Weapon is ready. He is told that the work of ten years has been completed and tells Kaido that she knows what to do. The Doctor and Amy follow her to a locked room. She tells them that they are in a restricted area but the Doctor says that he only wants to see what she is doing and to prevent it. She tells him that he is too late. She has already started the countdown and the computer only responds to her brain pattern. The Doctor sees that a network of fusion bombs has been panted beneath the planet's surface: they are going to destroy the Earth.
Kaido pulls out a gun but before she can shoot she is killed by Sokkuri. The Doctor scans Sokkuri and finds that she has a Galatean brain. Sokkuri tries to absorb the dying Kaido's brain patterns but an emergency E-M burst from the control room kills her. The countdown has reached 49 when Chiyoko materialises. She says that it has been fun playing a game of Galactic War just to see who would win but now that the Galateans have proved their superiority they can continue while the humans must go away. She says goodbye to the Doctor and Amy before dematerialising.
Amy asks the Doctor if he can do anything to stop the count, which is on 25. He says there is a remote possibility and then the planet explodes.
The Doctor and Amy find themselves lying on the grass of an English village green. The Doctor says he would remember stopping the planet from exploding so he assumes it must have. Amy wonders if they are in heaven. They ask a passerby for directions and the Doctor recognises him as the scientist Alan Turing. Turing assumes that he knows the Doctor from Oxford and invites them back to his home. He tells them that they are in Wilmslow in 1954. Over tea Turing and the Doctor discuss Turing's work on Fibonacci numbers. When the scientist goes to fetch some of his papers, the Doctor whispers that something is wrong: Turing should have killed himself the previous month. He asks Amy to step outside while he and Turing are getting on so well. Turing has overheard this conversation. This prompts him to want to learn more (as well as assuming that the Doctor is homosexual like him). He tells the Doctor that he had considered suicide but was saved at the last moment by a small Japanese girl called Chiyoko. Turing admits that he has been in Wilmslow in 1954 ever since he can remember.
Amy, meanwhile, finds herself following a dodo through the countryside after it drops a parchment. It steps through a hole in space and she follows it. It leads her into the library of Alexandria where John Keats and Buddy Holly are writing a musical for Jayne Mansfield. They are interrupted when Galatean robots arrive and blast Keats, Holly and Mansfield to pieces, revealing the trio to be robots. Amy escapes the destruction only to find herself at gunpoint again.
The Doctor uses his sonic screwdriver to open a hole in the fabric of space and he and Turing step through to a vast hall containing huge spheres. Each is a dimensional projection of various places at different points in Earth's history (including the Globe Theatre, Stonehenge, a pyramid and Easter Island). The Doctor says it is an abandoned museum. They walk across a gantry to where Amy is standing with the heavily armed Bronte sisters. Amy reveals that the sisters, and Turing, are robots. The Brontes add that they are being stalked by Galateans. The Museum of Lost Opportunities was built as a memorial to the human race in the middle of an asteroid belt around a dying sun. It was designed by Chiyoko and is all that remains of Earth. Now that the Galateans have wiped all life from the galaxy they have sought out the museum.
Emily Bronte is destroyed by a Galatean robot but Charlotte and Anne fight it off. Charlotte says that their decaying programs allowed them self knowledge. They know they are robots but believe they have as much soul as living creatures. They take the Doctor to a time scoop which they used to bring the Doctor to them. They say that they need the Doctor because he is the only one with enough knowledge of changing history to safely remove the Galateans from time before they can be created. The Doctor points out that this will end the Bronte robots' existence but they say they are aware of that.
A group of Galateans burst in and destroy Anne Bronte. As Charlotte fights back the others take cover. Amy asks if they can get the time scoop to bring the TARDIS to them but the Doctor says they will be killed by the Galateans before they can get to the controls. Charlotte says that it is time to bid goodbye...
Back on Earth in the near future a falling star brings an infection that spreads rapidly, soon becoming a pandemic. Robots travel the land, identifying new victims and sterilising the derelict towns with a circle of fire each with a radius of one mile for every new case found.
The Doctor, Amy and Turing are sent back by Charlotte Bronte, arriving amidst the devastation. Turing says that this is the time of the creation of the Galateans. He says that the history books need to be rewritten or this is the end of humanity. The Doctor explains that it is not so simple: this is the time before Chiyoko's interference began. Before he can elucidate further, they are confronted by one of the robots. It says that contaminated life forms must be sterilised but their presence is noted by humans in an underground facility. The robot detects that they are not contaminated and takes them to the facility. The Doctor tells Amy that he is rather vague on this time period but is surprised that a cure has not been found. The trio are taken to Keltor Jacobs. He introduces himself as the last hope for the human race. He tells them that the Doomsday Plague has all but wiped out the human race and the research stations across the empire are going out one by one. His assistant, Chloe, says that they have spent five years looking for n alternative solution and have settled on the creation of Galateans: robots containing the uploaded minds of the human race. Turing tries to tell them that the Galateans are not the solution but the destruction of humanity. He says that the duplicates will come to believe that they are the originals and will wipe out the humans believing them to be imposters.
Chiyoko materialises among them and makes it that the three newcomers were never there. Like phantoms, they have to watch as Chloe activates the Galateans just three hours before Research Station Minerva reports that it has found a cure for the plague. Jacobs tries to recall the Galateans but they have already started killing the humans. They tell Jacobs that humanity is weak and vulnerable and that now is the time of the Galateans. Jacobs tries to abort the Galateans with an EM pulse but Chiyoko kills him.
The Doctor says that she is diverting the course of history to ensure her own creation. She turns to him and agrees that playing with time is fun. She takes them to the planet Kepler IV, one thousand years later, to witness the glories of war. The Doctor asks her how she can enjoy standing on a battlefield, watching two armies annihilate each other just so that she can come into being. She turns to him and tells him that he made it happen by creating her.
The Doctor tells her that the Galateans wipe out all other life in the galaxy and begs her to put things back the way they were. She tells him that such an action would mean giving up her own life and that she has as much right to exist as anyone else. He tries to argue that if her existence depends on the obliteration of everybody else then she should give up her life. When she says she has no pity for the dead he tells her that he can have no pity for her. He asks her to remember that he gave her a chance.
She tells him that he is funny and that it is time for him to go away. She puts the Doctor, Amy and Turing back in London on the day that Earth was blown up. The Doctor says that they have been brought here to die and comments on how tidy it is to end this way. Amy screams as a ship hovers towards them, blasting at them with laser canons.
It turns out that the ship is actually shooting at the earlier versions of the Doctor and Amy as they scramble across the rubble. The Doctor decides that this time they can escape the same way that they did the last. He, Amy and Turing follow the same route into the ruins of St Paul's. The Doctor adjusts a rifle to nerve paralysis setting and shoots two guards. They then find their way into the bomb control room and hide. This time, the Doctor shoots his and Amy's earlier versions, knocking them out, so that when the time scoop picks them up he can greet the Bronte sisters and readjust the time scoop to bring Turing along, too. He then puts their past selves into the Wilmslow time bubble to meet the earlier Turing.
Chiyoko materialises among them and threatens to wipe them from history. The Doctor says that this isn't a safe option for her and scoops up Cosette, Margaret and Konami from before they were absorbed into the TARDIS. He then wipes the coordinates so that Chiyoko won't know where they came from, or when. That way, he says, her own existence will be under threat if she takes any drastic action. Amy whispers to Turing that she doesn't follow any of this. He replies that it is a bit beyond him, too.
Chiyoko is overcome by pain and regret as she feels empathy for the first time. The Doctor asks her to unwrite her own existence. She admits she is scared and, sobbing, sends her component lives back to the places they were last in before they were absorbed.
Amy notices that the universe is growing dark; the Doctor says that it is being erased as it ceases to exist. He time scoops the TARDIS to them and sets the controls for Keltor Jacobs' laboratory just after the Galateans are awoken. He tells them that the cure for the Doomsday Plague is about to be announced. Turing calls the Galateans as they awake on Moonbase and tells them that he is the last of the Galatean race. He sends them his memory files so that they can see a future that must never exist, thus averting the war. He hopes that the organic and artificial humans can live together in harmony.
Amy calls the Doctor into the TARDIS where Chiyoko is dying. The Doctor takes her to Moonbase where she is remade as a Galatean. The Doctor takes Amy to an observation platform to look down on the planet Earth below. He tells her that there are a billion possible futures and that it is time for them to go and find out which of them is about to happen.
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Chains of Olympus Writer: Scott Gray Pencil Art: Mike Collins Inks: David A. Roach Colours: James Offredi Lettering: Roger Langridge |
Issues 442-445 11th Doctor and Amy |
The TARDIS lands in ancient Greece, near the Acropolis in Athens. Amy emerges, wearing a skimpy tunic, followed by a similarly attired Rory. They complain that the Doctor is wearing his usual outfit but he tells them that he has the uncanny ability to blend in "like a temporal chameleon." The Doctor is eager to meet one of his heroes; Socrates. However, when he tracks him down he finds that his hero is little more than a drunken tramp who 'enlightens' the Doctor by punching him on the jaw. A young man runs up to prevent a brawl and leads his master off to a tavern. The Doctor tells Amy and Rory to wander off on their own, while he tries to work out what is happening.
As they are walking near the Acropolis they see an old woman, Calidora, trying to stop some soldiers. They have a gold statue of Athena on a cart. She tells them that if they destroy the statue as they intend, then Athens will be destroyed in turn. They brush her off and go on their way. Amy helps Calidora to her feet. The woman tells her that they intend to melt the statue (taken from the temple of Athena at the Acropolis) to fund the war with Sparta. She says that the wrath of the gods will be swift. She presses something into Amy's hand as thanks for her kindness, adding that they should flee the city.
The Doctor follows Socrates to the tavern, watching as the old man is abused by passers-by. In the tavern, Socrates (now very drunk) apologises for punching the Doctor. The Doctor turns to the youth who is Socrates' only disciple and asks how this happened. The youth, Plato, says that Aristophanes' play, "The Clouds", portrayed Socrates as a fool and since then and the populace started to treat the real Socrates as if he were the fictional character. Since then, Socrates has turned to drink.
No sooner has the statue been melted in a workshop than thunder echoes around the city. Citizens are struck by bolts of lightning and others flee in panic. Amy stops to pick up a toddler in the street and she is also struck by lightning. A giant face appears in the sky and its booming voice announces itself as Zeus. It says that the people of Athens have betrayed its trust and they shall pay in blood.
The Doctor runs up to the Acropolis, pushing his way through a tide of people going in the opposite direction. Plato follows him. He shouts up to the face of Zeus, hovering above the building, asking it to stop killing people at random. When he gets no response he tells Plato that the image is powering down. It promptly fades away.
Rory gets to Amy and finds that both she and the child are safe. She returns the child to his grateful mother. The people around the city are declaring that they are damned and should start slaughtering goats as sacrifice as soon as the sun rises. One man pours all of his wealth down a well; others decide to burn the libraries because enlightenment has been their downfall.
The Doctor and Plato return to the tavern and reunite with Rory and Amy. The Doctor lists the possibilities for what is happening: aliens who arrived centuries earlier were mistaken for gods; aliens who have just arrived are posing as gods. Socrates tries to interject but the Doctor brushes him away and insults him. Amy drags the Doctor outside to find out why he is being so rude but the Doctor tells her that Socrates wrote nothing in his lifetime, everything that is known of him was written by Plato, and Plato is the real genius. Amy says that she knows what it is to be let down by a hero. She adds that she grew up and got over it. The Doctor returns to the tavern and asks what the first question is that they should ask. Socrates replies that they need to find out why this is happening now. The Doctor asks if anybody has seen anything unusual.
Rory tells him about Calidora and the statue. Amy produces the talisman that Calidora gave her. The sonic screwdriver shows that it is able to absorb a lightning bolt. He tells Plato to take Amy and Rory to Calidora's house while he and Socrates search Athens for more of the metal. As they go, Zeus appears to power up again. However, when they reach Calidora's residence, the woman is dead with an empty cup of hemlock beside her.
In the city, a tree takes on the shape of a cyclops and attacks the soldiers that took the statue of Athena. Harpies erupt from the ground, a three-headed dog made of water leaps from a well and a wall becomes a griffon. All of them shout that they are made "for the glory of Zeus". The Doctor follows a signal to the forge where the statue was melted. As the Doctor and Plato look on in horror, a nine headed dragon bursts from the pool of molten gold telling all mortals that they will die for the glory of Zeus.
The Doctor recognises that this is the Hydra, fashioned from burning coals. He asks Socrates to throw him a poker and uses it to strike the talisman that Calidora gave Amy. Not only does the Hydra disintegrate but so do all of the other monsters in Athens. The Doctor tells Socrates that he shorted out the psychokinetic energy by using the poker which was made of the same metal as the talisman.
Elsewhere, in Calidora's chamber, Plato reads a letter that Calidora left. It tells how, as a little girl, she saw a fireball drop from the sky. When she found where it landed she saw that it was a golden egg. The egg commanded her to bury it in the most sacred of places, which she did. However, she kept some of the molten metal and poured it into the statue of Athena that her father was making and then used more to make the talisman. Amy tells all of this to the Doctor and he and Socrates run to the temple of Athena. The Doctor finds that the egg is hidden in a dimensional fold above the temple. It has grown to a huge size. Socrates tells the Doctor that it was fed on belief and if they believe then they can enter. They touch the surface of the egg and are pulled inside. They arrive in Olympus.
The ancient gods are bowing before the wrath of Zeus. He is angry that they have let their worshippers grow less ardent. The only god who has not failed him is Ares. The Doctor steps forward to intervene but Zeus chains him to a pillar with a sweep of his hand.
In Athens, the armour of countless soldiers is swept into the air to join together as a giant: Ares. As Alexios and his men race to combat the giant he cuts them down with his huge sword while simultaneously declaring war.
Hanging upside down in his chains, the Doctor tries to tell the gods that they are merely psychic constructs created by a woman who is now dead. Her death has led to them running out of control. Socrates whispers to the Doctor that telling somebody they are not real may take some believing. The Doctor says that Socrates might be the very man to convince them.
The soldiers fall back from Ares assault. Plato tells them to assemble in the main market square: the Doctor and Socrates were expecting this and have a plan. Amy rides up to Ares on a white horse and challenges him before leading him back to the square. Meanwhile, Socrates uses a series of logical questions to lead Zeus through the argument that: Zeus is all powerful; he therefore has absolute knowledge; his knowledge includes events in the future; he saw that men would one day disrespect the gods; this day was therefore predestined; Zeus must obey destiny; his power cannot be absolute.
As Ares arrives in the square he is challenged by 'Roranicus'. Ares uses his massive sword to smite Rory who has a blade fashioned from the psychic gold. Ares blade shatters and Rory uses the sword to cut off the god's leg and hand. The other soldiers and people of Athens wade in and smash Ares.
When Zeus witnesses the defeat of his son Socrates asks whether a god can fall to a man. If he can't (as Zeus insists) then neither Ares or, by extension, Zeus can be true gods. Zeus disintegrates, the gods vanish and Olympus begins to collapse. Athena, goddess of wisdom, remains briefly. She knew the truth all along. She asks the Doctor a question: "What is buried in man?" as she fades away the Doctor follows Socrates out of the portal and back into Athens. He holds a piece of golden metal that literally builds gods. He says he does not know who unleashed it or made it but he would love to find out.
He turns to Socrates and thanks him for saving mankind. Socrates says that he has been reinvigorated to seek out truth. He points out that the Doctor is both brave and clever but not wise. The Doctor remarks that two out of three isn't bad before taking Amy and Rory back into the TARDIS which dematerialises much to the astonishment of Plato and Dimitrios but to the amusement of Socrates.
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Source: Mark Senior |